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fairysong) wrote in
acatalepsy_logs2018-09-13 01:17 pm
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Open ♫ if you sneeze, a butterfly in a forest somewhere will dance
Who: Sheryl Nome and anyone else! Including you. Especially you.
Where: All through the temple.
When: Arrival / sickness event
Rating PG13+, warning for mild nudity
What: Sheryl ain't down with the sickness.
[Week One:]
[It's silly to be worried about this. Sheryl knows that. She knows that her V-Type Infection had progressed to a stage where the symptoms were completely different from this; even if Ranka hadn't cured her, a resurgence would feel completely differently. And everyone else is sick, too. This can't be the disease that nearly killed her.
A part of her brain is completely ignoring all that logic and reason, though. These symptoms are like what she'd first felt, after all. And there's that tiny nagging voice that she can't banish, constantly asking her: What if? What if Ranka had just delayed her death? What if everyone else has one thing, but she has another?
It's a stupid, irrational thought, and she can't banish it. So Sheryl deals with the deep-seated panic the best way she knows how: She throws herself into her music.
The only trouble is that this lingering headache and stuffiness makes it so very hard to write lyrics. So you'll find a young woman sitting at a table in the kitchen with a pencil and a torn sheet of paper that's full of scribbled out words. Most of them are crossed out. Sheryl is looking very frustrated-- and then she turns, pointing the end of the pencil at you.] You!
...what rhymes with "forest"?
[Week Two:]
[It got worse. It got much worse.
The good news is that Sheryl is now fairly certain that this isn't her V-Type Infection coming back; the symptoms have progressed in a completely different way.
That's the only good news. Sheryl feels like shit. She hasn't experienced the hallucinations that she's heard other people dealing with, which she's thankful for, but a violent fever and everything else that comes with it isn't much better.
The worst is that she constantly feels like she's just burning up, across her entire body, and since the bathing area is communal here, she hasn't figured out how to take a cold shower or bath to try and counteract it. Still, she's a resourceful young woman.
In the hallways just outside of the bathing area, you'll come across Sheryl with a rolled-up wet towel draped around her neck and over her shoulders. Though the towel hangs down in front of her chest, it is very clear that she is not wearing a shirt. Still, any potential sexiness is blunted by the fact that Sheryl looks rough and completely exhausted.
She's just too drained to give a shit about this right now. She does glance in your direction, though, and speaks in a slow voice that sounds impossibly tired.]
Can't a girl get some privacy around here...?
[Week Three:]
[Again, there's good news and there's bad news. The good news is that she feels much, much better than before. No fever, no chills, no cold sweats, no trembling.
The bad news is that she can't see.
In a place where she still doesn't know anybody that well, she's reluctant to ask someone for help like she might someone she trusts, like Alto or Ranka. Which means Sheryl is moving slowly around the temple, one hand on the walls at all time, dark glasses on even in the middle of the night.
At some point leaving the kitchen area, you might hear a girl's voice yelp in pain. If you investigate, you'll find Sheryl doubled over, rubbing at one of her shins and hissing obscenities through her teeth.
When she hears footsteps, she straightens up abruptly.] Ah... someone must've moved that chair, I don't think it was there before!
[It's an odd excuse, mainly because she'd just run into a bench, and you're pretty sure the bench has always been there that whole time. Also, she's not looking directly at you, but also a little off to the side.
A little suspicious.]
Where: All through the temple.
When: Arrival / sickness event
Rating PG13+, warning for mild nudity
What: Sheryl ain't down with the sickness.
[Week One:]
[It's silly to be worried about this. Sheryl knows that. She knows that her V-Type Infection had progressed to a stage where the symptoms were completely different from this; even if Ranka hadn't cured her, a resurgence would feel completely differently. And everyone else is sick, too. This can't be the disease that nearly killed her.
A part of her brain is completely ignoring all that logic and reason, though. These symptoms are like what she'd first felt, after all. And there's that tiny nagging voice that she can't banish, constantly asking her: What if? What if Ranka had just delayed her death? What if everyone else has one thing, but she has another?
It's a stupid, irrational thought, and she can't banish it. So Sheryl deals with the deep-seated panic the best way she knows how: She throws herself into her music.
The only trouble is that this lingering headache and stuffiness makes it so very hard to write lyrics. So you'll find a young woman sitting at a table in the kitchen with a pencil and a torn sheet of paper that's full of scribbled out words. Most of them are crossed out. Sheryl is looking very frustrated-- and then she turns, pointing the end of the pencil at you.] You!
...what rhymes with "forest"?
[Week Two:]
[It got worse. It got much worse.
The good news is that Sheryl is now fairly certain that this isn't her V-Type Infection coming back; the symptoms have progressed in a completely different way.
That's the only good news. Sheryl feels like shit. She hasn't experienced the hallucinations that she's heard other people dealing with, which she's thankful for, but a violent fever and everything else that comes with it isn't much better.
The worst is that she constantly feels like she's just burning up, across her entire body, and since the bathing area is communal here, she hasn't figured out how to take a cold shower or bath to try and counteract it. Still, she's a resourceful young woman.
In the hallways just outside of the bathing area, you'll come across Sheryl with a rolled-up wet towel draped around her neck and over her shoulders. Though the towel hangs down in front of her chest, it is very clear that she is not wearing a shirt. Still, any potential sexiness is blunted by the fact that Sheryl looks rough and completely exhausted.
She's just too drained to give a shit about this right now. She does glance in your direction, though, and speaks in a slow voice that sounds impossibly tired.]
Can't a girl get some privacy around here...?
[Week Three:]
[Again, there's good news and there's bad news. The good news is that she feels much, much better than before. No fever, no chills, no cold sweats, no trembling.
The bad news is that she can't see.
In a place where she still doesn't know anybody that well, she's reluctant to ask someone for help like she might someone she trusts, like Alto or Ranka. Which means Sheryl is moving slowly around the temple, one hand on the walls at all time, dark glasses on even in the middle of the night.
At some point leaving the kitchen area, you might hear a girl's voice yelp in pain. If you investigate, you'll find Sheryl doubled over, rubbing at one of her shins and hissing obscenities through her teeth.
When she hears footsteps, she straightens up abruptly.] Ah... someone must've moved that chair, I don't think it was there before!
[It's an odd excuse, mainly because she'd just run into a bench, and you're pretty sure the bench has always been there that whole time. Also, she's not looking directly at you, but also a little off to the side.
A little suspicious.]
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This is, of course, one of her favorite topics.] Not exactly death metal; their sound's a little... more fun. Here--
[A little wag of her finger, and some distorted guitar licks-- and the rest of the music-- starts playing out of nowhere. Notably, however, it's only instrumentals; there aren't any words.
If it sounds like cheesy 80s rock, that's because it probably is. Sheryl lets the music play for a while before joining in, singing the first few bars of the chorus:] Soar through the sky, love heart; on the wings of burning emotions...
See? Fun stuff.
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It's about as much real experience he has with music, anyhow.]
Fun. [-he repeats and enunciates a little louder, a little more clearly, over the sound of music suddenly playing out of... nowhere, apparently.
He shelves his other questions in favor of this new one:]
How are you doing that? Is it your power?
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Pretty useful for a musician though, isn't it?
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What'd you get?
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Me? I can turn into a canine. It's quite an interesting power, though I've not used it in a practical way just yet.
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...you turn into a dog?
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Well. Not only a dog. Anything from the Canidae family, it would seem.
[A beat.]
But mostly dogs.
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[What have you done, Sheryl-]
The domesticated dog is Canis lupus familiaris; believed to be descended from wolves or a very similar canid. Their temperament is different, and are also defined by a very variable physical and behavioral diversity compared to others in the Canidae family, the latter of which often possesses a relatively predictable baseline. Biologically, they’re different enough to have earned their own scientific classification as a sub-species.
For instance, a fox is a member of the Canidae family. Yet they are not technically dogs.
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She's not a scientist, Connor.]
So you're... saying you can become a fox, too?
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That’s right. I can.
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[She has friends who can technically shapeshift, but miclonization is a way different beast.]
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Did you want to see a fox, specifically?
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Surprise me.
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[An amicable smile, a little wink (was that a wink? It must have been), and then in a vibrant flash of blue light, Connor starts up his Astoria-given abilities.
Blinding light, practically, but it dissolves quickly enough. And when he's done, in his place sits a happy-looking arctic fox, his head barely seen over the rim of the table. There's a subtle blue glow at the right side of his head, indicative of the LED that still exists there... but hidden under thick fur.
Hi.]
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And then she seems absolutely delighted.] It worked! You make an adorable fox, you know?
Say, can you speak like that? Or do you have to transform back?
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He tilts his head. No, he can't talk.]
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Okay. You can turn back now, I'm satisfied!
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He’s kind of...standing, with his hands pressed into the table, too. Connor straightens and fixes his tie.]
As you can see, I’ll have to be creative in my applications of this power.
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Perhaps you can help track things down with your newfound keen sense of smell?
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Admittedly I have used the power of a dog’s sense of smell once. Back on Struxta.
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…This was before the Storm itself became known as a problem, of course.
[Otherwise he wouldn’t have been busying himself with mundane tasks — mundane tasks that paid, to be sure, but mundane all the same.]
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So the last place you all went-- it was more technologically advanced than this all is?
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